tag:blogger.com,1999:blog-87459665905609287462024-03-14T09:30:19.120-07:00Primal PathwaysPrimal Pathways is a collective compendium focusing on Esoteric,occultism book reviews,arte...Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-8745966590560928746.post-89973877789355087282016-02-02T06:57:00.002-08:002016-02-02T11:19:18.134-08:00<div style="text-align: center;">
<span style="text-align: justify;"><span style="font-size: x-large;"><b>Matthew Wightman</b></span></span></div>
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<span style="font-size: large; text-align: justify;"><b>Beyond the Eye of the Serpent</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZHtEbLpA103zcXg-OSPxTXkoKUwueb76TOaUMhyphenhyphenZz_UoA9zaK5hwSKneV1TUQPZ-rb41A7bJHf3om5Lpl6M76d8H9gR5ty9kz4gQho6TjpO7NuQxZao5m68ADapuSFXwFC42is_gvKVAO/s1600/Matthew+Wightman+Face.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZHtEbLpA103zcXg-OSPxTXkoKUwueb76TOaUMhyphenhyphenZz_UoA9zaK5hwSKneV1TUQPZ-rb41A7bJHf3om5Lpl6M76d8H9gR5ty9kz4gQho6TjpO7NuQxZao5m68ADapuSFXwFC42is_gvKVAO/s640/Matthew+Wightman+Face.jpg" width="640" /></a></div>
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<span style="font-size: large;">Matthew Wightman is the pioneer of the Current 61 and the originator of the notion of Ain as Radical Impossibility, the Ultimate Solution to the Problem of the Atzmut, The Essence of ALL and NONE.</span><br />
<span style="font-size: large;">Matthew holds a MA in Theology from Yale University, as well as having completed a year of doctoral coursework in Theology, Philosophy and Ethics prior to leaving the academy to pursue his own occult studies and writing. </span><br />
<span style="font-size: large;">His current work draws inspiration from the insights of Continental Philosophy as well as the practices of Traditional and Klifotic Satanism.</span><br />
<span style="font-size: large;">Matthew is currently involved in a number of projects, the most significant of which is the writing, compellation and editing of the Kitvei Kodesh HaChol, the Ultimate written expression of the Current 61, including the Scripture of the Nachash El Acher, to be published by Aeon Sophia Press.</span><br />
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<span style="font-size: large;">Matthew Wightman is the author of the following books:</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq_EFcX598ZMsoBrHCibyYa4OuRPnkJ1gVnI2HSuK7Y-tqoVvlvveQSjFH1KyJg2iMoONHO1xcYfLD_uea4XQiIXcfEavzHIbM5I_xae9R_hCUn0y4c5w0Ll0kRskk1ZHVaV39lHpnkUvq/s1600/Serpent+Siddur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="611" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq_EFcX598ZMsoBrHCibyYa4OuRPnkJ1gVnI2HSuK7Y-tqoVvlvveQSjFH1KyJg2iMoONHO1xcYfLD_uea4XQiIXcfEavzHIbM5I_xae9R_hCUn0y4c5w0Ll0kRskk1ZHVaV39lHpnkUvq/s640/Serpent+Siddur.jpg" width="640" /></a></div>
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<span style="font-size: large;">• Kitvei Kodesh HaChol (Volumes 1-6)</span></div>
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<span style="font-size: large;">Aeon Sophia Press, Scheduled for Publication Throughout 2016.</span></div>
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<span style="font-size: large;"><br /></span></div>
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<span style="font-size: large;">• Lyrics of Lilith, Songs of Samael: The Serpent Siddur of the Nachash El Acher</span></div>
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<span style="font-size: large;">Aeon Sophia Press, 2014.</span></div>
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<span style="font-size: large;">Matthew Wightman is the author of the following published articles:</span></div>
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<span style="font-size: large;">• “Rite of the Seduction of the Virgin.” Lilith: Goddess of Sitra Ahra. Black Tower</span></div>
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<span style="font-size: large;">Publishing. 2014. Pgs. 108-112.</span></div>
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<span style="font-size: large;">• “The Serpent’s Servants: Disciples of Ain.” Qliphoth Journal Opus III. Nephilim Press.</span></div>
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<span style="font-size: large;">Winter Solstice, 2013. Pgs. 45-52.</span></div>
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<span style="font-size: large;">• “Consuming the Fruit of Unlife: An Anti-Cosmic Perspective on the Golden Eitr.”</span></div>
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<span style="font-size: large;">Pillars Vol. 1 Issue. 2. Anathema Publishing. Autumnal Equinox, 2013. Pgs. 26-29.</span></div>
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<span style="font-size: large;">• “In the End there was the Beginning: A Klifotic Theology.” Zhoupheus Issue 2.</span></div>
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<span style="font-size: large;">Zhoupheus. Spring Equinox, 2013. Pgs. 3-6.</span></div>
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<span style="font-size: large;">• “In the Beginning there was the End: A Klifotic Theology.” Pillars Vol. 1 Issue 1.</span></div>
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<span style="font-size: large;">Anathema Publishing. Autumnal Equinox, 2012. Pgs. 86-91.</span></div>
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<span style="font-size: large;">Matthew Wightman has Edited the following books:</span></div>
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<span style="font-size: large;">• Malevolence by Vadge Moore, Aeon Sophia Press, 2015.</span></div>
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<span style="font-size: large;"><br /></span></div>
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<span style="font-size: large;">• Via Siniestra: Under the Masks ov the Red Gods by Edgar Kerval, Aeon Sophia Press, 2013.</span></div>
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<span style="font-size: large;">• Fosforos by Johannes Nefastos, IXAXAAR, 2013.</span></div>
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<span style="font-size: large;">you can get the books via Aeon Sophia Press</span></div>
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<span style="font-size: large;"><a href="http://www.aeonsophiapress.com/">http://www.aeonsophiapress.com/</a></span></div>
Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.com0tag:blogger.com,1999:blog-8745966590560928746.post-12200557214978903252014-03-11T20:19:00.001-07:002014-03-11T20:19:21.761-07:00The underworld emanations of Barry James Lent<div class="MsoNormal">
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<span lang="EN"><b><span style="font-size: large;">The underworld emanations </span></b></span></div>
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<span lang="EN"><b><span style="font-size: large;"> Barry James Lent</span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA17KTJJfzZo-5nCJSCKyfQ7h8b4X5SngkSA3laA_OYYScaEjO4oCinrZo-VpJkhqZbNDkYZ9T0xCviZqmP31STb4AoqrteaHCKnS8NKIeq3JYVtg0-zHK-ifa-Oh4cBXJ2zhoxlrZM4qR/s1600/902971_1387114358212100_1266766774_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA17KTJJfzZo-5nCJSCKyfQ7h8b4X5SngkSA3laA_OYYScaEjO4oCinrZo-VpJkhqZbNDkYZ9T0xCviZqmP31STb4AoqrteaHCKnS8NKIeq3JYVtg0-zHK-ifa-Oh4cBXJ2zhoxlrZM4qR/s1600/902971_1387114358212100_1266766774_o.jpg" height="432" width="640" /></a></div>
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<span lang="EN">One of these creative spirits emerging from such deep desolated underworld realms is Barry James Lent,a devoted individual focusing all its creative side to explore the diverse paths within its dark nature ,creating,exploring and transforming his most deep desires into suggestive and impressive visual transformations. some of his art will be revealed soon through opus V of qliphoth journal. here are soem of the visuals in which he works,revealing just a part of the whole potential and creative path he possess</span></div>
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<span lang="EN">eat , sleep, shit, piss, cum..... There are many who will not understand my
deplorism of this mortal coil. I vomit,
drink, trance and allow myself to become a vessel for what is....and what may
be. With the psychic help from the sounds of a few friends.. largely ignored
and criminally so... </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4rWS34-W739UB-9_J-WL3I2tlBYmukbgi5Wo5GnP5MqyEKTS4Q7Nxuzz4lFLxVmfL8ncDtO09NQbpInO6OTmd1HpS8YuwDn0NqPFNqb99ydv2qxAhx7lgrXvs4T2ceAMxnkNQKy938rfu/s1600/1459667_1401614113428791_1142213846_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4rWS34-W739UB-9_J-WL3I2tlBYmukbgi5Wo5GnP5MqyEKTS4Q7Nxuzz4lFLxVmfL8ncDtO09NQbpInO6OTmd1HpS8YuwDn0NqPFNqb99ydv2qxAhx7lgrXvs4T2ceAMxnkNQKy938rfu/s1600/1459667_1401614113428791_1142213846_n.jpg" height="476" width="640" /></a></div>
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<span lang="EN">to the deliverance of my mind and heart... on the cosmic
scale of action. As I deliver to you,
you "finger puppets" of
the higher mind, these works for which I
die a bit each time (la petite morte, as said in France) I am transformed to a
higher plane, and in a frenzy of laughter and
devotion it happens, before the
sleep takes me ... Tarkhem and Emma Ya bleed deep in the growing of my being, and the Xul of Ilabrat drives the
nails that make me move. Mal Etre completes
these movements, and I am exhausted....
to have to sleep another night's worth is an angered inconvenience. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyUzEaBkI7JHbU0M2HnOXjtFEhGKLGfk_DUCN2DhAn4Rab-rIWtim-VtOlWY8c35f0Ain6K9KQzBVAQ42SsDTTvsOSsESUXxRrbZJJ3Chp5XQ0TY_JMmZlUhKTGY5su6210FbMR94NTcTx/s1600/001.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyUzEaBkI7JHbU0M2HnOXjtFEhGKLGfk_DUCN2DhAn4Rab-rIWtim-VtOlWY8c35f0Ain6K9KQzBVAQ42SsDTTvsOSsESUXxRrbZJJ3Chp5XQ0TY_JMmZlUhKTGY5su6210FbMR94NTcTx/s1600/001.JPG" height="480" width="640" /></a></div>
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<span lang="EN">As the
toilet takes my humanity, I am sore and
distressed for the leaving that reminds
me of the prison we share. I am but a
humble narrator of the truths that are and WILL be, and as the STYX carries me,
and us ALL.....we shall arrive on a plane quite different from what was
expected..... expect NOTHING, and be NOT disappointed. My Friends and dear
viewers, a madman I am, but in madness we
must be. To show the patterns of the
free mind.....cosmic puppets of the WILL, is my charge. If it burns us ...let it be so, as we shall become the wiser for the
journey............</span></div>
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<span lang="EN">666. lord of light
take us. The next planet awaits......<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzW1AIAu4fCZoATutk8zkXZmA1Pkf2eXIA-rNhbAZ5Z-pfDYp33f3ukzDNq25a5lw90SDCVu98B6bzLUKFWbzb388k78BuwEz78l5xyyebtP97-96m5ga_GLwOn7DccIdyLJod6ZzqGe9o/s1600/10009278_1414213155502220_237794724_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzW1AIAu4fCZoATutk8zkXZmA1Pkf2eXIA-rNhbAZ5Z-pfDYp33f3ukzDNq25a5lw90SDCVu98B6bzLUKFWbzb388k78BuwEz78l5xyyebtP97-96m5ga_GLwOn7DccIdyLJod6ZzqGe9o/s1600/10009278_1414213155502220_237794724_n.jpg" height="640" width="476" /></a></div>
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<span lang="EN">more of his art can be found</span></div>
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<span lang="EN"><a href="https://www.facebook.com/barrylentdevilsdesign?ref=ts&fref=ts">https://www.facebook.com/barrylentdevilsdesign?ref=ts&fref=ts</a></span></div>
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Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.com0tag:blogger.com,1999:blog-8745966590560928746.post-54245251038688721462014-02-22T05:54:00.002-08:002014-02-22T05:54:36.489-08:00Devotion And Illumination through the art of...SEAN WOODWARD<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";"><i><span style="font-size: large;">SEAN WOODWARD</span></i></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Sean
Woodward is a contemporary artist, esotericist, writer, publisher, poet and
musician with over three and a half decades of dedicated magickal experience
and artistic expression. He stands at the crossroads between the arts and
technology and seeks to utilise this unique fusion to create artistic portals
and magickal machines of illumination and devotion to the Hoodoo and Les Vudu.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">He
currently serves as the British representative for Ordo Templi Orientis Antiqua
& La Couleuvre Noire.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">In
the early 1980s he was a member of the Typhonian Nephthys Arachna Power
Zone (affiliated to the Monastery of the Seven Rays) and has a lifetime charter
as Knight Diplomatis Supreme (Society OTO). <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">He
is represented by ZOSHOUSE Fine-Art and maintains a presence at
facebook.com/seanofficial and gothick.co.uk. Limited edition prints, original
works and his tarot are available from seanwoodward.com<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Email
: <a href="mailto:mail@seanwoodward.com">mail@seanwoodward.com</a><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Skype:
zoshouse<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3hylfuuwebep8IYIYcA_G7d0ikAYcvzi7zXyPI6hmQH_b-JXa0W9fEkUr8nb6MAzaEf7xlKWKppvHn1UJ0O5_I3N1IG1-pBnEgiUnYtzTNUhGzWyWwKa6Vq1QMuHXard3wwgvKDnceQON/s1600/4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3hylfuuwebep8IYIYcA_G7d0ikAYcvzi7zXyPI6hmQH_b-JXa0W9fEkUr8nb6MAzaEf7xlKWKppvHn1UJ0O5_I3N1IG1-pBnEgiUnYtzTNUhGzWyWwKa6Vq1QMuHXard3wwgvKDnceQON/s1600/4.jpg" height="640" width="448" /></a></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">PUBLICATIONS</span><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Illustrations</span><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Lama
of Leng, The Thirteenth Path 1 (Aeon Sophia Press, 2014)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Icon
of the Magic Cube, COILS I.IV (OTOA-LCN, 2013)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Leghba
Invinctus, COILS I.IV (OTOA-LCN, 2013)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Gnostic Cross of Light, COILS I.IV (OTOA-LCN, 2013)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Carrefour Tarot (ZOSHOUSE, 2013)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Initiate of the Northern Cross, Qliphoth Opus III (Nephilim Press, 2013) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Carrefour
Syzygies, Qliphoth Opus III (Nephilim Press, 2013) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Twins of the Ritual Design, Qliphoth Opus III (Nephilim Press, 2013)
<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Master
of the Words of the Island Under the Sea, Qliphoth Opus III (Nephilim Press,
2013) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Black
Snake Ghuede Portal, Sabbatica (Nephilim Press, 2013) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Gros
Bon Ange, Sabbatica (Nephilim Press, 2013) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Ti
Bon Ange, Sabbatica (Nephilim Press, 2013) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Mister
Guede, Qliphoth Opus I (Aeon Sophia Press, 2013)</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Second
Life Ashram flyer (Prosperity Path, 2013)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Frost
Priest Ov Thee Witch Cult, COILS I.III (OTOA-LCN, 2013)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Time
Travelling Vudu Mage at Alexandria, COILS I.III (OTOA-LCN, 2013)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">Bizango Gnosis Protector, COILS I.III (OTOA-LCN, 2013) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Vudu
Priestess ov thee Witch Cult, Silver Star II.IV (Horus Maat Lodge, 2012) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Erzulie,
Zhoupheus 1 (2013) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Heresy (Invisible Lodge) Silver Star I.V (Horus Maat Lodge, 2006)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Winter
Solstice, Estronomicon (Screaming Dreams, 2006)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Indian
Dreams, Digital PhotoFX (EMPAP Apex Publications,1998)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "Arial","sans-serif"; mso-ansi-language: ES;">The Magicks of Hermes, Exposicao Internacional de Arte Postal<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Cover
Design, New Works 4 (Wirksworth Writers, 2011)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Cover
design, Moonstone 47<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Portrait
with Greek Bust and Cat (Photomontage), Leicester Haymarket Theatre Programme<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Nightclub
flyer for Bounce Management<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXqYC0_TYtRCl-5EaheT9KLqbn3YSQi5_XhkX7eY41-upKQhmhXvdO9qDnFQkNeFVoFIy3ouyRRZ1LoIP7N4n5zVN5W4AfYoXE3au3Twi9nxIarXiHUTQIhcWlB1c76G-KV_QP2jxLNFwI/s1600/6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXqYC0_TYtRCl-5EaheT9KLqbn3YSQi5_XhkX7eY41-upKQhmhXvdO9qDnFQkNeFVoFIy3ouyRRZ1LoIP7N4n5zVN5W4AfYoXE3au3Twi9nxIarXiHUTQIhcWlB1c76G-KV_QP2jxLNFwI/s1600/6.jpg" height="640" width="448" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";"><br /></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Essays</span><span lang="EN-US" style="font-family: "Arial","sans-serif";"> <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Of
the Word and Conjuration of Gholems, COILS I.IV (OTOA-LCN, 2013)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Living Atua of the Carrefour Tarot, Qliphoth Opus III (Nephilim Press,
2013)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Death and Resurrection Show, Sabbatica (Nephilim Press, 2013)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Erzulie,
The Hoo Queen of Sirius, Zhoupheus 1 (2013) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Fiction</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Blackmouth
Beach, Qliphoth Opus II <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Shadow Queen of Sirius, Qliphoth Opus I (Aeon Sophia Press, 2013)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">House
of the Witch, Estronomicon (Screaming Dreams, 2008) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Christmas
Angels, Estronomicon (Screaming Dreams, 2007)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">A
Christmas in Brompton, Estronomicon (Screaming Dreams, 2001) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Lord of Misrule, Estronomicon (Screaming Dreams, 2010) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Death
Codex Part I, Estronomicon (Screaming Dreams, 2006)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Death
Codex Part II, Estronomicon (Screaming Dreams, 2006)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Death
Codex Part III, Estronomicon (Screaming Dreams, 2006) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Death
Codex Part IV, Estronomicon (Screaming Dreams, 2006)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Death
Codex Part V, Estronomicon (Screaming Dreams, 2006) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Death
Codex Part VI, Estronomicon (Screaming Dreams, 2006)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Phoenix
in the Attic, Lawrence and the Real England (Staple, School of Humanities 1985)
<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSfwIP7yXuMiofgYbKe4rZzcOYAXON1BCX2X-W5pQHNYAtw-QXtbUDHErEyNg-4fJUmayHakwDcmw8sAELnUb9qvZ9IRr_CrksW5atfnBnS4ZxTthEj8GlFYUNIK5L46vtPgUpe8Y8VnB4/s1600/5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSfwIP7yXuMiofgYbKe4rZzcOYAXON1BCX2X-W5pQHNYAtw-QXtbUDHErEyNg-4fJUmayHakwDcmw8sAELnUb9qvZ9IRr_CrksW5atfnBnS4ZxTthEj8GlFYUNIK5L46vtPgUpe8Y8VnB4/s1600/5.jpg" height="640" width="448" /></a></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Poetry Collections<o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Dervish
Days (Dragonheart Press, 2006, 2012) </span><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;"><o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Verbal
Narcotics (Dragonheart Press, 1989)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Songs
of the Skin (Salford Pocket Books, 1988)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Winds
of Karma: Spoken Word (ZOSHOUSE, 2008)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Deja-Vu
(Selected Poems 1982-1987) (Dragonheart Press, 1987) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Poetry - Anthology Appearances</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Cult of Ku, The Thirteenth Path 1 (Aeon Sophia Press, 2014)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Vudu
Priestess ov thee Witch Cult, Silver Star II.IV (Horus Maat Lodge, 2012) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Stanton
Moor, New Works 4 (Wirksworth Writers, 2011)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">This
Solstice Anniversary, New Works 4 (Wirksworth Writers, 2011)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Magick
Carpet Ride, Silver Star I.V (Horus Maat Lodge, 2006) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Scarlet
Queen, Silver Star I.V (Horus Maat Lodge, 2006) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Keepers
of the Way, Silver Star I.V (Horus Maat Lodge, 2006)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Billion
Dollar Skin, Silver Star I.V (Horus Maat Lodge, 2006) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Feeding
the Pony, Leicester Haymarket Theatre Programme<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Painted Shell, Leicester Haymarket Theatre Programme <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Burma
Burns, Moonstone 50<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Bali
Fire, Moonstone 48<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Denied,
Moonstone 47<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Through
the Window, Moonstone 45<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Sleep
Walk, Moonstone 41<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Dark Trees, Moonstone 40<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">My
Wraith and I, Moonstone 40<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Untitled
Chaos, Moonstone 39<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Solstice
Morn, Moonstone 36<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Chanoyu,
Moonstone 35<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Orion’s
Rising, Moonstone 25<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Senseless?,
Moonstone 24<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Dark
of the Moon, Moonstone 19<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Perilous Chapel, Moonstone 18<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Eleusian
Chants, Moonstone 18<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Footsteps
of a Flea, Moonstone 11<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
Abyss Prayer, Moonstone<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Tonight,
Moonstone<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Pilgrimage,
Moonstone<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Miscellany,
Moonstone<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Stroking
the Darkness, Moonstone<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Thunder
God, Moonstone<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Vanitas
Still Life, Moonstone<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Beneath
the Waterfall, Moonstone<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Beneath
the Waterfall, First Time<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Stormy
Weather, New Hope International<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Heavy
Rain, Mailout (East Midlands Arts) <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">AOS,
Memes 2<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Blowing
Suicidal, Staple</span><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;"><o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Clockwork,
Staple<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Sixes
and Sevens, Staple 8<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Stanton
Moor, Staple<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Arbor
Low, Staple<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Poetry
Nottingham<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Folio<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Across
Sophia’s Face, Poetic Licence (spoken word, Derby Community Arts)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">MUSIC</span><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Music - Albums as Gothick</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Abbey
Ov Lost Souls (ZOSHOUSE 2012)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Voudon
City (ZOSHOUSE 2012)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Retrospecktive
(ZOSHOUSE 2011)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Zodios
(Quartier23 2011)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">NU-HAD-RA:
Visions Ov Liber Legis (ZOSHOUSE 2009)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Convokation
Ov Ra-Hoor-Khuit (Bleak 2008)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Evokation
Ov Hadit (Delta Wave Underground 2008)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Invokation
Ov Nuit (Amduscias Records 2008)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Royal
Alchemy (ZOSHOUSE 2007)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Earthworx
(Splushnay Records 2006)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Abyss
Walker (Splushnay Records 2005) <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Metal
(Splushnay Records 2002)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Carnal
(Splushnay Records 2000)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Best
Of 1995-2000 (Splushnay Records 2000)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Gothic
Knowledge (Splushnay records 1999)<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Music - Appearances as Gothick</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Les
Mysteres, Qliphoth Opus I CD , Aeon Sophia Press 2013<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Black
Rock City, Apocalyptic Summer, Empire of Bliss 2012<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Invisible
Country, Qliphoth Opus II, Aeon Sophia Press 2012<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Timeships
Of The Spider Lwa, Audio Assault 1, CMP 2012<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Feats
Ov Thee Loa, The Seven Deadly Sins - Gula, SDS 2011<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">23
Transyuggothian Transmissions, Twenty Three Seconds Ov Time Volume 3, AIN 2011<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Visions
Ov Pan, Dark Ambient Vol 1, Sombre Soniks 2011<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">All
Ov These Cities (Standing Together), Dark Artists for Japan Earthquake Relief,
Catapult 2011<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Eyes
Ov Ra-Hoor-Khuit, Thee Other Album, One TrueTOPI Tribe 2011<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Aiwass
Is In The House, And Now For Something Completely Different, Amex Nori 2011<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Furnance
of Prayers, Septem - The Seven Luminaries, Quartier23 2011<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Whole
Ov Thee Law, Do What Thou Will, Sombre Soniks 2010 <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Sex
Magick, Sex Magick, Quartier23 2009<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Goat
Ov Mendes, The Devil, Tarot Series 2009<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Kiss
The Whip, That’s Romance (A Loving Tribute to John Zewizz), FS Records 2009<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Litanies
Ov Satan, A Tribute to Ruth White, TheeBradMiller Series 2009<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Aliens
Amongst Us, Sonic Terror I, De Rebellenclub 2009<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Man
Ov Earth, New Aeon Symbols V, Quartier23 2009<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Ov
Thee, Spirits Nest, Lomeanor 2009<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Solstice
Darkstar, Darkmass 2008, Okkulth Records, 2008<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Of
Orient Are We (Three Kings), A Candle’s Golden Glow, Dark Winter 2007<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Music - Albums as Sons ov Sirius</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Lapids
Lazvli (ZOSHOUSE, 2012) <o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Videos - Appearances as Gothick</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Road
To Acre, Zodios Album Promo (ZOSHOUSE, 2011) <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Premiered
at A NIGHT FULL OF NOISE 5, Rebellenclub 2011) </span><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;"><o:p></o:p></span></i></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Poetry - Editor<o:p></o:p></span></i></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">New
Moon Rises (Dragonheart Press , 1992)</span><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;"><o:p></o:p></span></i></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Derbyshire
Poets (Dragonheart Press, 1990) <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Living
Poets journal (Dragonheart Press, 1993-2013) <o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Poetry - Adjudicator</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Faith
and Spirituality Poems (The Forum for Faiths at Derby University) <o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Delegate, Appointments and Appearances</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Writing
Industries Conference, Loughborough University, 2008<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Art
Director, British Association of Myasthenics Well Dressings<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Writers’
Workshop Leader, Derby Community Arts<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Wirksworth
Festival, 2011<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Chesterfield
Festival <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Derby
Festival of Words<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Derby
City Festival Live<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Art
– Exhibitions<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Tomorrow’s
Past, Derby Community Arts<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;">Prizes</span></i><span lang="EN-US" style="font-family: "Arial","sans-serif";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">DH
Lawrence Festival Poetry Competition, 1985<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Special
Recommendation, Derby Evening Telegraph Poet of the Year, 1999 </span><i><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 18.0pt;"><o:p></o:p></span></i></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">World
Wildlife Fund National Poetry Day Poem for the Environment, 1995<o:p></o:p></span></div>
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Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.com0tag:blogger.com,1999:blog-8745966590560928746.post-23166429877955348992014-02-06T11:53:00.000-08:002014-02-06T11:53:01.465-08:00the primigenian art of......JOSEPH CURWEN<div style="text-align: center;">
THE PRIMIGENIAN ART</div>
<div style="text-align: center;">
of</div>
<div style="text-align: center;">
JOSEPH CURWEN</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8byQeq_udxiE6QrfUNmcWmkgc2p7NhcFGz7O9Rb66fXVzFowq0x7GV3dih1wWZ2TQVOP77OzEzvO0TZuw1EvjMv7g-2ors5QY4HpCSEjHKvT_xp58z49ujkCPbSF24U4MbnChR4J-eUVx/s1600/N-metasigil7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8byQeq_udxiE6QrfUNmcWmkgc2p7NhcFGz7O9Rb66fXVzFowq0x7GV3dih1wWZ2TQVOP77OzEzvO0TZuw1EvjMv7g-2ors5QY4HpCSEjHKvT_xp58z49ujkCPbSF24U4MbnChR4J-eUVx/s1600/N-metasigil7.jpg" height="640" width="444" /></a></div>
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I live on the East Coast of the U.S. in Pennsylvania. While it may not be very relevant i would just say that I was drawn to horror, fantasy and strange fiction at a young age, as well as to thrash and death metal, and later black metal. </div>
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I began using hallucinogens around age 17 and over the years have undergone many experiences and ordeals with "wine and strange drugs" including disassociatives such as DXM and K, as well as DMT. Eventually my purpose became clear, a communion with primordial nightmare energies, as I wandered forests and ruins, the "lonely places of the earth" when possible, taking hallucinogens, sometimes alone in forests at night, to be alone with dark nature spirits. </div>
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Eventually as I studied more of Crowley, Regardie, Dion Fortune, etc and eventually Grant and Bertiaux I began to put more structured ritual forms together and learned to see artworks as inseparable from magick. I have been studying the magick, mystic, religious and mythological lore of the worlds cultures for a long time; I am vegetarian, a devotee Earths nature spirits, and practice physical Yogas, breathing, and meditations daily as well as Qigong. </div>
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I chose the name Joseph Curwen as an alias because it demonstrates my commitment to the exploration of Necronomicon energies as well as my belief that human consciousness can travel space and time, and that our so-called identities are just atoms in the vast cosmic mind made up of the entities called the Ancient Ones. To these I build shrines and make sacred art. I am content to be a solitary black magician but feel that sharing of artforms with the many other dark occultists emerging in the world is part of the Aeon, and prepares the next stage in human evolution - "Projection is the formula of the Aeon of Horus." Many art works I keep only for private shrines or have destroyed. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCpE7CL2bx8ilJYzbFuzIg_siflfbY6oMI2BVfDv4GHkn-mrVVs36DEtUI95Wc-zqYLOnAXutlsPJ3ZxIyWVxJsWjGtIYIjsJ_mMKYyGECGOGsCN0_qjPmFiOFhDsg8JEXy6jJ6E78L2Wm/s1600/N-metasigil8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCpE7CL2bx8ilJYzbFuzIg_siflfbY6oMI2BVfDv4GHkn-mrVVs36DEtUI95Wc-zqYLOnAXutlsPJ3ZxIyWVxJsWjGtIYIjsJ_mMKYyGECGOGsCN0_qjPmFiOFhDsg8JEXy6jJ6E78L2Wm/s1600/N-metasigil8.jpg" height="640" width="452" /></a></div>
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I also have been composing ritual ambient music and video (mainly for my personal use) and do vocals for the black noise project T.O.M.B. using a black-metal visual-ritual mentality for our live shows.</div>
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some of his impressive visuals will be included on the new opus of Qliphoth journal coming during this year 2014</div>
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<a href="http://www.facebook.com/joseph.curwen.399">www.facebook.com/joseph.curwen.399</a></div>
Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.com0tag:blogger.com,1999:blog-8745966590560928746.post-74435383426943412772014-01-14T11:51:00.001-08:002014-01-14T15:01:44.626-08:00THE BOOK OF SMOKELESS FIRE- S.Ben Qayin<div style="text-align: center;">
THE BOOK OF SMOKELESS FIRE </div>
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S.Ben Qayin</div>
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(Nephilim Press)</div>
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The Necronomicon…A dream, a book, a nightmare. It is a tome which embraces absolute forbidden power that claims its ancient origins amongst the raging sands of the Arabian Desert. There, demons scream and lash about with great fury and terror. It is a book that tells of ways to conjure that which should not be, and gives means to command forces that exist outside of known universal laws. It bestows the ability upon the Magician to control fierce and destructive beings that are older than time, that are not of our Dimension, or Unified Field, but ‘Outside’ of it…</div>
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Many have sought this lost tome, for H.P. Lovecraft did not instill this idea in man, but awoke it from thedark recesses of his ‘fragile eggshell mind’. For in humanities veins lies the memory of its ancestors and archaic times, of fears and terrors that have been with the race since long before the dawn of the annals of its history. Lovecraft tapped his veins…and captured the lurid images that spilt out upon the literary floor as ink within the pages of his transcendent works. He wrote from inherit memory of strange times that have been shadowed upon our history, of twilight truths that the more common man rejects and turns away from in fear, replaced by a lighter more pleasant false reality that fits well within the confines of his limited existence of mediocracy and vision. Lovecraft felt the barriers of our universe, and that of others press uneasily against each other as bubbles being compressed. He knew of how delicate the barriers that separate the realities were, of the madness it all still is, and the insignificance of our small and simple lives in stark comparison to that which is magnificently ~ ‘other’. </div>
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Once this memory was brought forth to mankind from the depths of his dormant mind, it was never forgotten again. When men remembered, they became obsessed and began to search once more for the forbidden tome that none could clearly recall, only feel strong impressions of. Since Lovecraft wrote of the forbidden book, people began inquiring on where they may purchase it, as if it would be on a shelf for any passerby to put into their basket at the local bookstore. Of course Lovecraft proclaimed the truth, that the book did not exist, that it had come from a dream, though only because he had not found the tome, but the stark terror of its memory that resides in all of us as an echo of that which ought be forgotten, though is longed for. For who amongst man does not wish to embrace the forbidden ? To wield that which other men could not ? For the book promises wild power, and few have the want, or will, to resist it.</div>
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The work that is being presented in “The Book of Smokeless Fire” is based on a very little known and overlooked Solomonic text simply known as “Miscelaneo de Salomon”, which amazingly mirrors that of Lovecraft’s, “Necronomicon” both in content and history. It is an ancient and forbidden Arabian manuscript, that seems was later evolved into the Greek “Goetia” and gives the earliest known account of King Solomon and his binding of the seventy-two sinister Djinn he sealed away in the infamous brass container. </div>
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In “The Book of Smokeless Fire”, the ancient manuscript has now been reworked into a completely new system, utilizing revolutionary evocation technology, to again call upon the ancient and destructive Djinn, whose names have been concealed for centuries. </div>
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The author thought long on this book, whether or not to bring it forth unto the world of men, for in it resides great pain and destruction waiting to be set free, much like Pandora’s Box waiting to be opened. Though through much contemplation, he came to the obvious decision to release this terror from its obscure and hidden origins for the sole purpose of spiritual balance. The world is in strife, though it is not Chaos that is the cause, but the ever oppressing forces of Order. Order is trying to control everything; right now we see this in our political and religious systems now that their dealings are becoming more and more transparent. Order has the upper hand, and though Chaos is growing in strength as members of the LHP grow in number and presence, the author believes Chaos needs an influx of raw brutal strength and pure destruction to help overcome Order and establish a new spiritual understanding upon the Earth ~ The Gates Of Hell Must Be Opened…</div>
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The Djinn listed within the grimoire are purely destructive by nature, and the Magician must use utmost caution when working with them. They are to be deployed when nothing less devastating will do. They are hate, pain and disease waiting to be released upon the world with a rage that is unmatched. If the ‘Goetic’ Spirits have a dark side, these Djinn are the embodiment of it. As stated this grimoire is a weapon, and does not make apologies for its existence. In fact, it is an ‘ultimate weapon’, to be unveiled and used when times are at their darkest. Those times are no longer on the horizon, they are here and are creeping in more little by little, day by day. The Black Magician who is in touch with his surroundings will know when to unleash this forbidden power; they will feel it deep within them…and recognize the feeling as rage. Each Warrior Magician will utilize this strength at different times, when the battle is at their door. There are no specific times to use this Magic, no Sabbats to attend, no nights to honor…it is to be used, when it is needed…at the time of war. </div>
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Though at the same time, this text introduces the Magician to a wider view of Magic, and how it is directed into reality. This work implements a new scientific foundation to replace the Judeo/Christian influence, and focuses on combining the spiritual (energy work) with the scientific (Lovecraftian quantum physics) to open gateways, so that interaction with non-human entities may be achieved. The practice of Magic dealing with the evocation of spirits, both benevolent and baneful, has generally been centered around the Magic Circle and its counterpart; the Triangle of Arte. By using these key components, portals to other realms have been opened and contact with the spiritual entities has been achieved. Whether the magician were calling forth Demons, Angels, or else, these tools have been implemented since time immemorial to commune with that which was ‘beyond’. The author believes the key to opening these gateways between dimensions lies in angles, vibrations and the direction of the Magician’s personal energy and/or Intent. </div>
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The work is accompanied by a very thoughtful preface by author Robert Podgurski, which offers deep insight on the tome, and directs the attention of the reader to areas of the manuscript that may be otherwise overlooked in anticipation of the greater whole. Robert has undertaken a lifelong scholarly pursuit investigating the history and genesis of Hermeticism, Magick, Alchemy, the Cabala, and Western Esoteric Studies. During this time he has researched as well as practiced the Enochian system of Angelic Magic as developed by John Dee and Sir Edward Kelley. In 1981 he discovered an innovative magical tool, the Grid Sigil that has shed light upon and acted as a unifying nexus between his various magical fields of inquiry. This finding has formed the basis for his recently released book: “The Sacred Alignments and Dark Side of Sigils”, published by Mandrake Press Ltd, 2012. Bob has published articles, lectured, and conducted workshops on John Dee, sigil magick, and the Grid Sigil throughout the US. He has also worked extensively with Cththonic Magick exploring various facets of the Qliphoth. His first grimoire of Lovecraftian based Magick will be published later this summer by Aeon Sophia Press. His first collection of poems: “Wandering On Course” has just been released by Spuyten Duyvil Press. </div>
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For more information go to </div>
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<a href="http://www.gridmagick.com/">www.GridMagick.com</a> </div>
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and</div>
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<a href="http://www.facebook.com/thesacredalignmentsanddarksideofsigils">www.facebook.com/thesacredalignmentsanddarksideofsigils </a> </div>
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<span class="Apple-tab-span" style="white-space: pre;"> </span>Also, woven in-between the pages the reader will find over one hundred original illustrations, including a full alphabet of Lunate Script (to be used in conjunction with the system as the Magician sees fit), Seventy-two sinister Djinn sigils, Three Circles of Arte, Three Triangles Of Arte, and five full page original art pieces created by esteemed artist Robert W. Cook. Robert is an American born artist and architectural draughtsman who is currently residing in Ireland. An artistic and visual approach to occult exploration has become some of the defining elements within his work, entwining numerous mythic themes and undercurrents that often invoke the archetypes present within magical thought and initiation. The seat of Inspiration for Norot's art lies shrouded within the veils of intuitive gnosis and Luciferian symbolism which draws influence from such art and writings of William Blake, Gustave Doré, Albrecht Dürer, H.R. Giger, Aleister Crowley and Austin Osman Spare. His most recent work to date has been cover art for Wolfpack 44's forthcoming album "The Scourge" which will be released through Deadlight Entertainment. As well, he has done the cover art for the latest release of the legendary occult rock band ‘Coven’. Currently Robert is within mid production on several in-depth projects for Nephilim Press, and is always continuing to create personal and commissioned pieces that instill inspiration and awe. His latest works and full portfolio are available for viewing on his website:</div>
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<a href="http://www.norot-art.com/">www.norot-art.com</a></div>
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He can also be followed on </div>
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<a href="https://www.facebook.com/norotart?ref=br_rs.">www.facebook.com/norotart?ref=br_rs. </a></div>
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“The Book of Smokelss Fire” is a rare text, in that it brings the forbidden and ‘ancient’, together with the ‘new’ cutting edge concepts of Fringe Magic and science to create a system that can be fully accessed by those willing to expand their understanding of ‘Magic’. As well, it is a tome that brings forth the truly sinister aspects of this reality into a viable form to work with in a personal magical setting. </div>
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<b><span lang="EN-US">~ S. Ben Qayin ~<o:p></o:p></span></b></div>
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<span lang="EN-US"> </span><span style="text-align: justify; text-indent: 36pt;">Has researched
and practiced various traditional forms of Magic throughout his lengthy course
of esoteric study, though found early on that Magic was a thread that was woven
though all things, and so was drawn to more personalized Chaos Magic from a
young age. Chaos Magic or </span><i style="text-align: justify; text-indent: 36pt;">‘Fringe Magic’ </i><span style="text-align: justify; text-indent: 36pt;">as
he refers to it is not new; it is simply a category or term created to
encompass Scientific Magic or Magic that deals with dimensions, non-human
intelligences and work that questions the basis of </span><i style="text-align: justify; text-indent: 36pt;">‘reality’</i><span style="text-align: justify; text-indent: 36pt;">, and how to manipulate it. This can be classified as
experimental magic if you will, teetering on the edge of the Abyss of Creation.
Of course Fringe Magic does encompass such literary works from authors and
Magicians who have ventured forth into the </span><i style="text-align: justify; text-indent: 36pt;">‘empty
spaces’</i><span style="text-align: justify; text-indent: 36pt;">, such as H.P. Lovecraft, Carlos Castaneda, Pete Carroll, Frank G.
Ripel, Michael Bertiaux, Kenneth Grant and others who have been to the edge of
creation and reality, and come back to write of it. They have masterfully
transformed into words, experiences and concepts that are seemingly
indescribable to those who have not walked the </span><i style="text-align: justify; text-indent: 36pt;">‘Spaces In-Between’</i><span style="text-align: justify; text-indent: 36pt;"> themselves, who have not known the </span><i style="text-align: justify; text-indent: 36pt;">‘Twilight of Being and Reality’.</i></div>
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<span style="text-indent: 36pt;">He holds the
belief that Magic is not </span><i style="text-indent: 36pt;">‘Magical’</i><span style="text-indent: 36pt;">,
that it does not </span><i style="text-indent: 36pt;">‘just happen’</i><span style="text-indent: 36pt;">, nor
is it </span><i style="text-indent: 36pt;">‘miraculous’</i><span style="text-indent: 36pt;">, he sees it as a
scientific system based on a process that we have yet to fully understand
scientifically. This is based on his concept that people do not fully realize
the base structure of their reality in which they are currently residing, and
that they have yet to understand all the rules of the </span><i style="text-indent: 36pt;">‘Consensual Reality Matrix’</i><span style="text-indent: 36pt;">, and therefore do not entirely
understand or utilize their personal energy and influence within it. He views
Magic as the manipulation of personal energy to restructure or influence the </span><i style="text-indent: 36pt;">‘Consensual Reality</i><span style="text-indent: 36pt;"> </span><i style="text-indent: 36pt;">Matrix’</i><span style="text-indent: 36pt;"> to conform with the Will and Intent of the Magician. As
with all energy, he believes Magic can be harnessed and directed, Spirits and
entities can be contacted, and change can be made manifest within the personal </span><i style="text-indent: 36pt;">‘grid’</i><span style="text-indent: 36pt;"> of the Magician. He believes the
program can awaken, and become the User.</span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br /></span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">S. Ben Qayin has released <i>“Volubilis Ex Chaosium”</i> through Dark Harvest Publications in 2012,
which involves deep praxis with H.P. Lovecraft’s ‘Old Ones’, and has published
several occult essays in Edgar Kerval’s ‘Qliphoth’ Journal Opus. 1, 2 and 4 by
Aeon Sophia Press and Nephilim Press, as well as in “Sabbatica” by Nephilim
Press and in Gabriel McCaughry’s
‘Pillars Journal’ Vol. 1, Issue 1 by Anathema Publishing. He has recently
released <i>“The Book of Smokeless Fire”</i>
through Nephilim Press and is currently working on a talismanic, artistic
project titled <i>“Through Intervals of
Whirlwind”, </i>which focuses on Lovecraftian entity evocation, accompanied by
fantastic visuals created by renown artists of the occult genre, to be released
through Transmutation Publishing 2014. He can be found at :</span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br /></span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><a href="http://www.nephilimpress.com/">www.Nephilimpress.com</a> </span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">and </span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><a href="https://www.facebook.com/sben.qayin">https://www.facebook.com/sben.qayin</a></span></div>
Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.com0tag:blogger.com,1999:blog-8745966590560928746.post-28334672372023279582014-01-11T06:19:00.001-08:002014-01-11T07:04:33.829-08:00The Mysterious Art of...HAGEN VON TULIEN<div style="text-align: justify;">
Hagen von Tulien is a contemporary artist and occultist. With more than thirty years of intense magical theory and practice, he has specialized in creating art as an expression and manifestation of magical states of awareness and its use as an esoteric tool.</div>
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He is working in a variety of media including pen and ink, paper cut, collage and digital formats.</div>
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Throughout the 1990s Hagen was a key figure in the Magical Pact of the Illuminates of Thanateros (I.O.T.), serving as its section head for Germany.</div>
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He is currently a Master-Initiate of the Fraternitas Saturni (F.S.) and an empowered adept of the Société Voudon Gnostique (S.V.G.), focused on deeply researching the Saturnian and Voudon Gnosis. La Société Voudon Gnostique is a selective group of initiates and artists dedicated to manifesting the more powerful, inner revelations and transmissions of the Gods of Esoteric Voudon, as well as to push evolution and research of Voudon Gnosis and sorcery freely beyond all frontiers of orthodoxy.</div>
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As a Gnostic Priest of the Ecclesia Gnostica Aeterna, Hagen von Tulien is dedicated to manifesting the supreme and divine Gnosis Aeterna within himself while assisting others on their own path to kosmic freedom and liberation.</div>
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Publications:</div>
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Illustrations for 'Voudon Gnosis' by David Beth (2nd revised and expanded edition by Fulgur Ltd. 2010, sold out).</div>
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An essay and some artwork for the anthology 'ATUA: Voices from La Société Voudon Gnostique' (Fulgur Ltd. 2011).</div>
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http://www.theionpublishing.com/books/atua-voices-of-la-societe-voudon-gnostique/</div>
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Contribution to the anthology 'At the Crossroads' (Scarlet Imprint 2012)</div>
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http://www.scarletimprint.com/crossroads.html</div>
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Artwork for QLIPHOTH Journal Issue 1 (Aeon Sophia Press 2012)</div>
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http://www.aeonsophiapress.com/</div>
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Cover-design and illustrations for 'The Black Ship' by Malphas (Sirius Ink 2012)</div>
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http://siriusink.com/</div>
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Contribution to PILLARS issue no.1: "Psychopompos" (Anathema Publishing 2012)</div>
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http://anathemapublishing.blogspot.de/</div>
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Contribution to CLAVIS Journal, Issue 1 (Ouroboros Press and Three Hands Press 2013)</div>
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http://www.clavisjournal.com/</div>
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Contribution to SABBATICA vol I (Nephilim Press)</div>
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Diverse self-published works of art (limited editions of prints, art-sets, originals, …)</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK3zchphB_IRcxe0-Vhf3r5rE_VZrv9u3EoO2ySvVVG0OlpXnNKEh_ioHhsGaS8qd1rRoCyYAtC961hcvjz4wnXBqee7IGF21HLymI9xcs7eHQXV8MYXL83m2r-hYIqM48G45wbhhnM7He/s1600/Masthead_OP.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK3zchphB_IRcxe0-Vhf3r5rE_VZrv9u3EoO2ySvVVG0OlpXnNKEh_ioHhsGaS8qd1rRoCyYAtC961hcvjz4wnXBqee7IGF21HLymI9xcs7eHQXV8MYXL83m2r-hYIqM48G45wbhhnM7He/s1600/Masthead_OP.jpg" height="114" width="640" /></a></div>
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<b><a href="http://ouroboros-press.bookarts.org/portfolio/occult-psaligraphy-hagen-von-tulien/">OUROBOROS</a></b> Press</div>
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Presents</div>
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<b>Hagen Von Tulien</b></div>
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Occult Psaligraphy</div>
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The Hidden Art of Papercutting</div>
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Ouroboros Press desires every discerning Bibliophile to know that a new book by contemporary artist and occultist Hagen Von Tulien is in preparation. With more than thirty years of intense magical theory and practice, he has specialized in creating art as an expression and manifestation of magical states of awareness and its use as an esoteric tool. In Occult Psaligraphy Von Tulien expresses these magical states in a series of over 160 papercuts. The book, produced in large format and printed in Red and Black will be presented in a Limited but distinct Edition. This bi-lingual text in English and German, includes introductions by the Artist and publisher William Kiesel, who speaks to the practice of papercutting in diverse esoteric traditions worldwide, including China, Japan, Mexico, Europe, Indonesia and America. Von Tulien’s papercuts show a superior quality, the line work, fluidity and design elements reflect experience with both graphics and occult symbolism. The papercut images Von Tulien creates with his scissors are functioning sacred diagrams, Veves and potent effigies whereby congress with the spirit world may be actuated.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicRXZC6lXpURjt3YHAeeCoWfeXHsQdLn7PMHRxUMGsOcEIeWTrGSh3ad-zct5N1op55IJtaRxtDh51AQG_qWuEU0zku6EMPrdkoZKSHm_OlZMHL2kSKVOH1z43-kkacZl6lQzulBkUyTv9/s1600/Hagen-Process.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicRXZC6lXpURjt3YHAeeCoWfeXHsQdLn7PMHRxUMGsOcEIeWTrGSh3ad-zct5N1op55IJtaRxtDh51AQG_qWuEU0zku6EMPrdkoZKSHm_OlZMHL2kSKVOH1z43-kkacZl6lQzulBkUyTv9/s1600/Hagen-Process.jpg" height="544" width="640" /></a></div>
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Amalgamations of eyes, serpents, horns, skulls and other sigillic devices, these scissor-cuts become embodied vessels of power. They assist the practitioner in concentration, may be used in meditation or evocation, or as objects of talismanic effect. Specific God-forms, Iwa, and Avatars of Revelation are exemplified, honored and called forth. Other diagrammatic examples of Von Tulien’s scissor-cuts show initiatory knowledge and act as veritable trestleboards of ritual arcanum. The intricate lines and visually striking forms of his cuts cause an immediate fascination in the viewer – a fixation of vision, a keyhole through which Keys are received. Like the emblem books of the Renaissance the Occult Psaligraphy is rich in iconic symbolism. The devices of esoteric tradition are recondite and explicit and the entities present are no less corporeal to the eye. If ever a talismanic book there was, certainly this Book of Spirits is among them.</div>
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Pre-Publication Offer</div>
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In gratitude to supporting readers who pre-order Occult Psaligraphy, we are currently offering it at the pre-publication price. Your contribution to this project will assist in the production cost necessary to manifest this fine example of esoteric book art. Ouroboros Press reserves the right to increase the retail price of the volume after its release. Reserve your copy today.</div>
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Release Date: Feb 2014</div>
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Specifications: Large format Quarto, 8 x 11 inches printed two-color offset on 70 lb paper. Over 160 occult illustrations, many being full page papercuts. English and German text with introductions by the Artist and the Publisher. Photographic samples are forthcoming.</div>
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Special Edition</div>
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15 Special Editions in Full Red Goat with Sigillic Inlaid front board and gold spine-titling. Marbled endsheets and silk ribbon bookmark. Binding ornament designed by the Artist. $275.00</div>
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(Sold Out)</div>
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Deluxe Edition</div>
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65 Deluxe Editions in Full Black Goat with gold stamped device and spine-titling. Marbled endsheets and silk ribbon bookmark.</div>
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$195.00</div>
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Trade Edition</div>
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800 Cloth Editions in illustrated dust jacket.</div>
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$85.00</div>
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<a href="http://ouroboros-press.bookarts.org/portfolio/occult-psaligraphy-hagen-von-tulien/">http://ouroboros-press.bookarts.org/portfolio/occult-psaligraphy-hagen-von-tulien/</a></div>
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Also Hagen Von Tulien has been working on diverse other projects such as :</div>
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<b>CULTUS GHUEDHE-LIBER CG</b></div>
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A privately published book (Cultus Ghuédhé - Liber C-G) which contains depictions of 45 Ghuédhé Gates, and additional material (116 pages). This can be found in Zom-Box # 3 including an impressive collecting of diverse works</div>
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<b>ZOM-BOX 3, #3</b></div>
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A decorated black cardboard box containing the following items:</div>
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¶ Cultus Ghuédhé - Liber C-G (bottom centre)</div>
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¶ handmade booklet 'A Rite of the Were-Spider' (bottom left)</div>
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¶ 45 Art Prints of the Ghuédhé Gates</div>
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¶ an ORIGINAL Paper-Cut (bottom left)</div>
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¶ Ritual Photographs (bottom right)</div>
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¶ Rosary of Cultus Ghuédhé</div>
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¶ two bookmarks</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4LWYrT_i4b2WZD_mnTvjftG0rIZGgPZAVC1uEUF7e8PC6o-UfCTJCyv_x8MWNckHuXXoF3SHUWbQRZM_FnPEoaeo6eP1q3MXepFofIJRSmg2XE0Pw0CTe9ako6IYaL__qOxS72g512VTZ/s1600/0ad1ab36d1d5582b7d2029d3aee0bceb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4LWYrT_i4b2WZD_mnTvjftG0rIZGgPZAVC1uEUF7e8PC6o-UfCTJCyv_x8MWNckHuXXoF3SHUWbQRZM_FnPEoaeo6eP1q3MXepFofIJRSmg2XE0Pw0CTe9ako6IYaL__qOxS72g512VTZ/s1600/0ad1ab36d1d5582b7d2029d3aee0bceb.jpg" height="640" width="612" /></a></div>
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<b>THE CUSTODIANS OF DEATH</b></div>
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Series of works depicting several Death-Deities from diverse Pantheons.</div>
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CUSTODIANS OF DEATH were exhibited for the first time ever at the CLAVIS book launch:</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj93pYd6P3gM5WBkp_e-LZPSL6WLtJFhDfspp7WjKxfwK0jNH2BYubEP1e96F80JyWkDdmcRtuCqw1Yn7XGqg_FkaLKSMRZOLrrXQYm8N11a4u4y7ZJV_q4RqMQqnGxDeCcfgfYcRRnC2kV/s1600/1009746_579942058724301_1318499034_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj93pYd6P3gM5WBkp_e-LZPSL6WLtJFhDfspp7WjKxfwK0jNH2BYubEP1e96F80JyWkDdmcRtuCqw1Yn7XGqg_FkaLKSMRZOLrrXQYm8N11a4u4y7ZJV_q4RqMQqnGxDeCcfgfYcRRnC2kV/s1600/1009746_579942058724301_1318499034_n.jpg" height="640" width="466" /></a></div>
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Most of his impressive and in deep gnosis reflected through his visual art can be found in the follow page</div>
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<a href="http://www.behance.net/search?search=hagen+von+tulien">http://www.behance.net/search?search=hagen+von+tulien</a></div>
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for information just contact him</div>
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hagen93@online.de</div>
Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.com0tag:blogger.com,1999:blog-8745966590560928746.post-30131862269958449652014-01-06T09:11:00.003-08:002014-01-06T10:01:59.070-08:00SYZYGY - Reflections On The Monastery Of The Seven Rays- TAU PALAMAS<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0E8isRi57qzm7h2u4cuyFclY5ASTgEplcqVPUtOzS8b5lb4lRHts9crZ-iVwxWm7hUtBiY5nV2RX2iiJyQEGiB44GldAvpWXFFCcAqTgnKoLnFbdLuQAjKb99W7z57LZlmg6zeS9EpecZ/s1600/1519450_234108253428782_1853805144_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0E8isRi57qzm7h2u4cuyFclY5ASTgEplcqVPUtOzS8b5lb4lRHts9crZ-iVwxWm7hUtBiY5nV2RX2iiJyQEGiB44GldAvpWXFFCcAqTgnKoLnFbdLuQAjKb99W7z57LZlmg6zeS9EpecZ/s1600/1519450_234108253428782_1853805144_o.jpg" height="284" width="640" /></a></div>
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Tau Palamas (Coptic Gnostic Church) is the founding Bishop of the Chapel of the Gnosis. He is active in the Confraternity of Oblates of the Monastery of the Seven Rays and an Adept and Chaplain in the OTOA-LCN. A Freemason and Martinist for over a decade, +Palamas enjoys integrating diverse channels of the Western Esoteric Tradition with his writing, art and home life in the North Georgia Mountains. He published his first book "Syzygy : Reflections On The Monastery Of The Seven Rays", through Hadean Press and is working on his second book.</div>
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"Syzygy" is the appropriate name for this text, yoking together as it does a wide variety of divergent streams. This is at one and the same time a deeply personal account of Tau Palamas' own spiritual journey and a rigorous examination of the Monastery of the Seven Rays' practice in relation to other currents and approaches. The journey is a sometimes dizzying one as Tau Palamas reels from one subject to the next, and from personal reflections to deeply theoretical speculations, the whole thing supplemented with a parade of stark and arresting images from his own paintbrush. This is a demanding text, perhaps at times too adventurous; one certainly not for the tyro. Its ultimate effect, however, is properly magical, and no one interested in contemporary magical praxis and Bertiaux's work will be left disappointed.” <span class="Apple-tab-span" style="white-space: pre;"> </span>~Abathur V°, Grand Master of the Friary/OSF<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGlmE2szUaN9u8U2lty4l20azHSPPrZcqla8-WcMx9QTBQD1BzMWi6churPeHhtJKwpguRm5mXsei1Ywy-qIr_gaGR04XsA-hthQ_TlGXo8Yabex8BPlJH4q-ncnd04zwfCXq4HHQZfusT/s1600/71420_234107216762219_864417902_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGlmE2szUaN9u8U2lty4l20azHSPPrZcqla8-WcMx9QTBQD1BzMWi6churPeHhtJKwpguRm5mXsei1Ywy-qIr_gaGR04XsA-hthQ_TlGXo8Yabex8BPlJH4q-ncnd04zwfCXq4HHQZfusT/s1600/71420_234107216762219_864417902_n.jpg" height="640" width="488" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The two worlds of Voudon and Gnosis merged together within the unique expression of a religious community called the Monastery of the Seven Rays. Having a history that is as colourful and mysterious as the variety of individuals involved in this esoteric movement of the spirit, the Monastery stands apart from traditional expressions of monasticism in the East and in the West by existing on a physical plane, but more especially—by also being a psycho-spiritual locale, accessible to all who knock upon her celestial doors. For each Postulant of this Monastery, there is a particular work to do, a particular gnostic space to dwell within and a particular sacred injunction to fulfill for the betterment of the globe. Syzygy by Tau Palamas is one such legacy. It is simply the reflections of one student of this delightful and challenging superstructure of mind-stuff — The Monastery of the Seven Rays.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">As interest in the growing fields of Voudon and Gnosticism increases, it becomes important to have works that explore these subjects from distinct angles and from diverse perspectives. From childhood, Tau Palamas has been steeped in traditional Christianity, and so this piece is coloured by that experience, exploring the differences and the deep connections between the Classical Monasticism of the Orthodox and Catholic Churches and the Gnostic and Magickal work of the Monastery of the Seven Rays. More than being a product of research, Syzygy is a result of experience and work within the Monastery. Lavish, full-colour illustrations by the author are further demonstration of the unity of both tradition and creativity within this supernatural cloister.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">The hardback edition includes full colour artwork by the author, Tau Palamas.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">The paperback includes the same artwork in black and white.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Both editions are 200 pages.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnFQzclpDceQnSIphMSwigFPfwl8mrH7RB_s0LEX326gC9bTd72RFsQVHkxNupT4PwQBvDKyPZ52Rjq8mYDWi_UbhDmDoXvpsn5v9Z17tyklcBvHCinJ8npJ9f9eDi6hgKig844R2THyM_/s1600/1604716_234107133428894_2113516732_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnFQzclpDceQnSIphMSwigFPfwl8mrH7RB_s0LEX326gC9bTd72RFsQVHkxNupT4PwQBvDKyPZ52Rjq8mYDWi_UbhDmDoXvpsn5v9Z17tyklcBvHCinJ8npJ9f9eDi6hgKig844R2THyM_/s1600/1604716_234107133428894_2113516732_n.jpg" height="504" width="640" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">“Syzygy is a fascinating exploration of the Voudon-Gnostic philosophy of Michael-Paul Bertiaux and the Monastery of the Seven Rays. The author, a Gnostic Bishop, takes us through his practice and experiences, telling us about meditation and prayer, Saints and spirits, magick and healing and even death and the dead. In the second half of the book, he offers practical ritual techniques to experience what he calls ‘the Otherworld’ for oneself. I suspect students of the Voudon-Gnostic coursework will find this text an invaluable companion for their studies.”</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">— Aaron Leitch, author of Secrets of the Magickal Grimoires and The Essential Enochian Grimoire.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">“A tour de force of creative synthesis, this extraordinary book sets out to fuse one of the most avant-garde branches of contemporary Western esotericism with the traditions of monastic prayer, contemplation and ritual, and carries out this more than usually demanding task with aplomb. Students of the mysteries weary of the rehashing of familiar teachings that dominates today's occult publishing scene will find it a welcome if dizzying breath of fresh air.” </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">~John Michael Greer, Grand Archdruid of the Ancient Order of Druids in America</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">"Your work in 'Syzygy' is terrific! It is a valid and very powerful emanation of the Monastery of the Seven Rays mysticism." </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">~Michael-Paul Bertiaux, author of The Voudon Gnostic Workbook </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">TAU PALAMAS</span></div>
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<a href="https://www.facebook.com/tau.palamas"><span style="font-family: Arial, Helvetica, sans-serif;">www.facebook.com/tau.palamas</span></a></div>
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Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.com2tag:blogger.com,1999:blog-8745966590560928746.post-36330534436441744792014-01-04T14:33:00.000-08:002014-01-06T09:12:13.352-08:00Daemon Barzai /BLACK TOWER Publishing<div class="Pa1" style="text-align: justify;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7uRU1KBm3MMexMW9J3Mz9TNGjU0HIeE1lxUypCu5pJ3THQ8zmMMF0HzPqKgT_sl0gGc4ptya5ZTCKKHO9dqWErO2cOC6PROcouKMRYD4v-PbW-NL70dDeeoQUHWbEHD0DuHjUJdt7d7MF/s1600/btp22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7uRU1KBm3MMexMW9J3Mz9TNGjU0HIeE1lxUypCu5pJ3THQ8zmMMF0HzPqKgT_sl0gGc4ptya5ZTCKKHO9dqWErO2cOC6PROcouKMRYD4v-PbW-NL70dDeeoQUHWbEHD0DuHjUJdt7d7MF/s400/btp22.jpg" height="131" width="640" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Daemon Barzai is a Draconian Magician. Devotee to the Great Old Ones. Esoteric Translator, Writer and Publisher. from many years ago he has been an explorer and devote of the draconian path and sorcery. he has been focusing all his knowledge in the participation of publications such as "Qliphoth journal","Visions Of The Nightside","Lilith:Godess of The Sitra Ahra". also working in the very interesting blog in spanish "Diario De Un Brujo" and his first book " The Nyarlathotep Book " released on december last year 2013. The same year he founded "Black Tower Publishing.</span><br />
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The Black Tower stands sentinel at the threshold of the Void, at the crossroads of Manifestation and Non-Being, where worlds and dimensions meet and intersect. Surrounded by Primordial Night, it exists alone outside the universe known to man, in raw Darkness that flows from the Womb of the Dragon, channeling primal currents and transforming consciousness through the promise of Transcendence. It is the Eye which sees through the Veil of Illusion and looks into the Void. It is the Eye of the Dreamer and the Portal to Knowledge and Power, existing on the borderland of dreaming and waking, between the Slumber of Ignorance and Awakened Consciousness. It transmits the Currents of the Void, the Primal Current of the Dragon, radiating the black light of forbidden gnosis, the true source of Illumination, into the present Age of Re-Awakening.</span><br />
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The purpose of Black Tower Publishing is to earth this Gnosis by working with inspired and talented writers, poets and artists who wish to share their Vision and Personal Experience with those who seek the true Wisdom. We dedicate our Work to those who embark on the antinomian quest for knowledge and power and reject ignorance and weak-willed conformity. The purpose of our books is to open the gates of the soul and awaken consciousness to the Gnosis of the Dragon, bringing forth Draconian Current into the world and assisting in personal Ascent on the Path of Flames.</span><br />
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Black Tower Publishing opened its doors with the official opening of Temple of Ascending Flame. Our purpose is to publish unique and exclusive material for those who are really interested in Draconian Path and Atlantean Current, and also in LHP, Black Magic, Dark Witchcraft, Demonology, Necromancy, Necronomicon Current and all forms of magic that could be considered as “Taboo”.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Our mission is to spread the LHP in a unique way. We offer something different than mainstream publishers. Our books are exclusive and our writers are people with years of experience on the dark path.</span><br />
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<span style="font-family: inherit;"><b>Visions of the Nightside</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Visions of the Nightside is a collection of essays, rituals and various expressions of personal gnosis written by members and associates of the Temple of Ascending Flame. Unique and evocative in its content and form, the book comprises powerful manifestations of magical practice with the forces of the Nightside: dark Gods and Goddesses, primal energies of the Void, entities residing on the Qlipothic Tree, demons of infernal regions, and spirits from a whole range of traditions. It is a practical research and insight into the practice of the Left-Hand-Path magic within the modern context, with contributions from working magicians and initiates of Draconian and Atlantean traditions.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Articles included in this volume:</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Gnosis of the Void by Asenath Mason</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Setnacht by Frater Eremor</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Hecate: Blessed Mother of Witches by Pairika-Eva Borowska</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Mea Magna Mater Hecate. My Immersion in Multicolored Blackness by Selene-Lilith</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Night on Bald Mountain by Cyril Matytsin</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Into the Void by Frater GS</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Thantifaxath: Saturn and Lilith Unite in the Poison of the Serpent by Daemon Barzai</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Ravens of Dispersion by Asenath Mason</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Poseidon’s Trident by Rev Bill Duvendack</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The Ascending Flame of Lucifer by Asenath Mason</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Lucifer’s Trident Ritual by Rev Bill Duvendack</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Whispers From The Void (Exploration of Baratchial through the 12th Tunnel) by Edgar Kerval</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Demeter: Draconian Goddess by Fr. Nephilim</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Lilith – Queen of Vampires by Daemon Barzai</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Hand-bound book – 999 edition copies.</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">The Nyarlathotep Book</span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Several people know his name, although only a few understand how to work with him. Nyarlathotep: The Crawling Chaos is the messenger of the Great Old Ones, an emissary between humans and the Outer Gods. He is a deity with a thousand faces. This ritual book explains how to work with him in a theoretical and workable approach. This Grimoire has been inspired by Nyarlathotep himself. Here, you will discover things that have never been published before.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The book will cover such themes as: Who Nyarlathotep really is, Invocation and Evocation of Nyarlathotep, The Mirror of Queen Nitocris, The Labyrinths of Kish, The Black Tower of Koth, A Ritual of Possessions, A Pact with Nyarlathotep, The Masks of Nyarlathotep, Nyarlathotep as a Black Man of the Sabbat and much more…</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The Nyarlathotep Book has very high quality, paper: 130gr. White cover with an amazing a very detailed printing in the book jacket and wonderful illustrations in B&W. Hand-bound and hand-numbered with Indian ink. 333 limited edition.</span></div>
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<b style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><a href="http://www.blacktowerpublishing.com.ar/">www.blacktowerpublishing.com.ar</a></b></div>
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Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.com0tag:blogger.com,1999:blog-8745966590560928746.post-47617743921491528152014-01-04T12:47:00.004-08:002014-01-06T09:12:51.385-08:00KEYS OF OCAT (Stephanie Connolly)<div class="separator" style="clear: both; text-align: center;">
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S. Connolly has been practicing and studying all things “oc¬cult” and metaphysical since 1984. Her interest started with divination, ge¬matria, and necromancy and quickly spiraled toward ceremonial magick, witchcraft, and Daemons. She has been a practicing Daemonolatress since 1988.she has writen diverse books regarding necromantic traditions,always adapting new elements which gave the readers an amalgame of rituals,praxis and personal gnosis.</div>
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I have the honor to explore her book "Keys Of Ocat" ,a powerul grimoire in which she opened a deep gate to connect and experience with spirits of the dead realms via goetic invocations,gnosis, evocations and diverse necrosophic practices which trascends the alchemy of death,and carry the reader into an intense work for inner preparation to work with spirits. Talismans,seals,orations,connecting each other in this impressive grimoire,focusing the death current as imporntant element to personal evolution ,understanding its mysteries and how to cross the diverse veils of necromantic works using demonolaetry and sacred rituals to explore the wisdom of the dead. how to use the works of necromantic,though bones used as oracular platforms of divination.</div>
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Also she revelas part of her gnosis through the connections with ancient gods of the death though the use of preparing powerful talismans,purifications of sacred places of work,how to prepare Graveyard dirt for upcoming works.definitely an intense book full of prayers and rituals which you must find interesting if one of your goals is to understand the mysteries of Ocat,coz youre the key to the entrance of the realm of the dead. an important point here,is a chapter dedicated to how to prepare tinctures with blood ,the use of diverse bones,necromancers herbs and funerary oils in the necromantic works. </div>
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The death tablets included here are powerful tools you can use when working with the dead , its use and interesting elements are present in a chapter,where you shall find its correspondences and encoded in enochian script. A higly reccomended book if you are interesting to open the abysmal gate which connect us with the spirits of the dead.A practical book which sure ly you will find more than interesting. </div>
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Both editions of The Keys of Ocat are 6"x9", heavy cream, smythe sewn, archival quality paper. The LIbrary Edition, in only 450 copies, is bound in Red cloth and has gold foil stamping while the Deluxe Edition is bound in Red Leather with a shallow embossing of a necromantic formula on the cover. The Deluxe Edition, limited to 200 copies, contains a silver place marker ribbon and each one was autographed by the author during a special consecration ceremony. The Funerary Templar Edition (SOLD OUT) is bound in full Black Goatskin by a noted artisan binder. There very design is based on a set of requirements laid down by the author after consulting with several Necromantic Funerary Priests. </div>
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During this year 2014,Mrs Connolly will release another book "Sacrae Infernales",Thorugh Nephilim press.A work intended for the intrepid, this contemporary grimoire details workings with theGoetia Spirits and goes beyond the limitations often encountered while working in the traditional ways of the Lemegeton. </div>
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Sacrae Infernales includes respectful and powerful ways to work Goetic theurgy for purposes of both low and high magick. With expansive and experimental techniques ranging from simple spell-craft to ceremonial magick, magicians will find Sacrae Infernales an intensely profound modern work on Goetic Sorcery that will appeal to anyone who seeks to immerse him/herself in Goetia and take their work beyond the seer rites and into the realm of theophany and result manifestation.</div>
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For more info :</div>
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<b>THE QUADRANT</b></div>
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<a href="http://www.sjreisner.com/">www.sjreisner.com</a></div>
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<b>NEPHILIM PRESS</b></div>
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<a href="http://www.nephilimpress.com/">www.nephilimpress.com</a></div>
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Edgar Kervalhttp://www.blogger.com/profile/17927617800889996799noreply@blogger.com0